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The sculpture
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Vasco Nasorri uses various techniques to realize his sculptures. He uses
clay mostly, probably, because Vasco started as a ceramist and finds in
the clay the first instrument to express his creativity. With
this material it is possible to model bas-relieves, sculptures of all
sizes and whatever the imagination or instinct suggests. Clay is mostly
used in realizing vases and tiles, but its plascity makes it also and
ideal instrument to give body and form to the artists emotions.
It is very interesting to observe the birth of a sculpture. The passage
from an idea, the movement of the hands while modelling the clay, to the
final product is quick. |
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The metal, if correctly used, is capable to give
highlights and plascity to the forms as well as reveal particular aesthetics
that other wise would remain hidden.
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| This is the phase where mastery and experience
are necessary. If not properly done, in the final product, sometimes permanently,
every error will standout. Pouring the fusion into the cast and seeing the
sculpture that takes form is a magic moment. The artist, once everything
is cooled down, brings to light his sculpture. He first removes the refractory
material and once cleaned he glazes it with oxides and fire giving it colour
and shine. Sculpturing is also the research of different materials and shapes that can be used. Vasco is constantly searching and exploring new techniques and materials. Marble, for example, is cold and hostile but once sculptured and finely worked becomes alive. In this page we will observe a few sculptures that Vasco has done recently, but this catalogue is destined to be modified as the activity of the sculptor grows. |
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In this page we will observe a few sculptures that Vasco has done recently, but this catalogue is destined to be modified as the activity of the sculptor grows. |
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![]() "Il muretto" -Terracotta cm.120 |
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